Publications:
2018
– Clifford, Alison and Graeme Truslove (2018) Articulating the Interstitial: Exploring the Aesthetics of Transience [conference paper/ presentation], Transient Topographies: Space and Interface in Digital Literature and Art, National University of Ireland, Galway
2016
– Clifford, Alison, Miguel Carvalhais, André Rangel, and Mario Verdicchio, eds. CITAR Journal, Volume 8, No. 1 – Special Issue: xCoAx 2016. Vol. 8. Porto: CITAR, 2016. [ISSN: 2183-0088]
– Clifford, Alison, Miguel Carvalhais, André Rangel, and Mario Verdicchio eds. xCoAx 2016: Proceedings of the fourth conference on Computation Communication Aesthetics and X. Bergamo, 2016. [ISBN: 978-989-746-094-4]
– Clifford, Alison and Graeme Truslove (2016), Nightfields [extended abstract], xCoAx 2016: Proceedings of the fourth conference on Computation Communication Aesthetics and X, Bergamo, 2016 p.360-361 [ISBN: 978-989-746-094-4]
2015
– Clifford, Alison, André Rangel, and Mario Verdicchio, eds. CITAR Journal, Volume 7, No. 1 – Special Issue: xCoAx 2015. Vol. 7. Porto: CITAR, 2015. [ISSN: 1646-9798]
– Clifford, Alison, Miguel Carvalhais, and Mario Verdicchio eds. xCoAx 2015: Proceedings of the third conference on Computation Communication Aesthetics and X. Glasgow, 2015. [ISBN: 978-989-746-066-1]
2014
– Clifford, Alison (2014) Articulating the Interstitial: Interpretive Responses in Digital Art Practice. PhD thesis, The Glasgow School of Art
2012
– Clifford, Alison, Live Issue/ Livewire/ Poetry in Motion, .Cent Magazine, Autumn/ Winter 2012
– Clifford, Alison, The Sweet Old Etcetera, Atticus Review, 19/07/12 [published online]
2011
– Clifford, A and Truslove, G, Interstitial Articulations: Reflections on Audiovisual Collaborative Practice, GA2011: International Conference on Generative Art, Rome, Conference Proceedings, XIV edition, Domus Argenia, [ISBN: 978-88-96610-14-5]
– Borràs, Memmott, Raley, Stefans (eds.) Electronic Literature Collection: volume 2, Maryland Institute for Technology in the Humanities, USA [ISSN: 1932-2011]
2010
– Clifford, A and Truslove, G Substratum: abstract, GA2010: International Conference on Generative Art, Milan. Conference Proceedings, XIII edition, Domus Argenia, [ISBN: 978-88-96610-06-0]
2007
– Bits, Bytes and the Rhetoric of Practice: New Media Artist Statements, Media_N: Journal of the New Media Caucus, Fall 2007: Vol. 03 N.01, [ISSN: 1942-017X]
Reviews/ Articles/ Citations:
2018
– Cabrera, C., (2018) La intertextualidad en el poema hipermedial The Sweet Old Etcetera | OtroLunes 47. [online] Otrolunes.com Revista Hispanoamericana de Cultura.
– Picos, María Teresa Vilariño Picos (2018) Narrative Across Media: Trans-Stories In-Betweeness in Digital Media and Textuality: From Creation to Archiving, edited by Daniela Côrtes Maduro, Bielefeld: transcript Verlag, 2018, pp. 187-204
2016
Condeduquemadrid.es. (2016). La Palabra en las Periferias de la Tecnología, Muestra Digital Interactiva in El Mes de Las Letras en Conde Duque Madrid.
2015
Schaefer, Heike. (2015) Poetry in Transmedial Perspective: Rethinking Intermedial Literary Studies in the Digital Age. Acta Universitatis Sapientiae, Film and Media Studies 10 (2015): 169 – 182.
2014
– Stefans, Brian Kim, Animation/ Kineticism in: Ryan, Marie-Laure; Emerson, Lori and Robertson, Benjamin J. (2014) John Hopkins Guide to Digital Media, John Hopkins University Press, Baltimore, Maryland, USA p.15
-Zalbidea Paniagua, M., (2014). Women authors and Cyberfeminism. Autoras y ciberfeminismo. Research Collection. [online] ELMCIP.
2013
– Angel, M. and Gibbs, A., (2013). At the Time of Writing: Digital Media, Gesture, and Handwriting › electronic book review. [online] electronic book review › digital futures of literature, theory, criticism, and the arts.
– de Aguiar Neitzel, Adair, & Bridon, Janete. (2013). DIGITAL POETRY: ONGOING REFLECTIONS. Literatura y lingüística, (27), 111-134
2012
– Marion, Fabienne, ‘La littérature numérique est-elle un danger pour LA littérature?’ (Is digital literature a threat to literature?), Up Magazine, 11/04/12 [published online]
– Saemmer, Alexandra, ‘Exploring (De-) Coherency: The Dream Life of Digital Letters’ in Musiques & Cultures Digitales: MCD no.66 Writing Machines,(pp.22-23), March-April-May, 2012, [ISBN: 9782952987219 ISSN: 1638-3400]
– Flores, Leonardo, “The Sweet Old Etcetera” by Alison Clifford, I ♥ E-Poetry [blog], [published online] 02/02/12
2011
– Raley, Rita, “Living Letterforms”: The Ecological Turn in Contemporary Digital Poetics, Contemporary Literature, Vol. 52, No.4, Winter 2011, pp.883-913, 52:883-913
– Stefans, Brian, Comedies of Separation: Toward a Theory of the Ludic Book, Journal of Electronic Publishing, Vol. 14, Issue 2, Fall 2011
– Stefans, Brian, Third Hand Plays: “Palimpsest” by Alison Clifford, SFMOMA Open Space, USA,18/08/11 [published online]
– Armaselu, Florentina, The Sweet Old Etcetera, Electronic Literature Directory, published online 27/05/11
– Rettberg, Scott, Letters in Space, at Play, published on the author’s website and in Norwegian in Vagant as “Bokstaver i bevegelse” 1/2011
2010
– Borràs, Laura, (2010) Leer literatura (en) digital: una historia de intermediaciones, desplazamientos y contaminaciones, Arizona Journal of Hispanic Cultural Studies, Vol. 14, 2010, pp. 177-195, DOI: 10.1353/hcs.2011.0381
2007
– Balpe, Jean-Pierre, “The Sweet Old Etcetera”, Magazine Électronique du CIAC, 10th Anniversary Special, no 27, 2007
2006
– Haus-fuer-poesie.org. 2006. Haus für Poesie :: Installationen im Foyer.
Interviews/ Presentations:
2011
– Soledades 2.0 No Moderno Artificio, Centro de Arte Pepe Espaliú, Córdoba, Spain,
Visit Cibermuestra
2005
– Joseph, Chris, State of the Art, TrAce OnlineWriting Centre, Process Issue, 11/03/05